


Whisky is liquid courage. Many people - mostly men - have performed
acts of inspired bravery
(and foolishness) whilst under the influence of
'the water of life'. And while the cheaper blends and bourbons usually
affect the more primitive parts of the brain (truncus cerebri), it seems
single malts often
appeal to the higher brain functions in the cerebrum.
So, while the symptoms of low budget alcohol abuse often include
primitive behavior like shouting and brawling, those of us that prefer to
abuse our alcohol in style find ourselves inspired to
start writing books,
composing music or plan a voyage to Scotland
where the whisky was
made. Travellers that have the time and means to stay for a few days
can visit all the main whisky producing regions and one of its distilleries.
Many distilleries welcome visitors with open arms, but when some of the maniacs visited Springbank in 2005 they didn't seem very pleased to see us - or the other visitors for that matter. So, for me the best thing of the trip was the night I spent in the same hotel that Alfred Barnard stayed in when he visited the area over a century ago.
However, from a traveller's perspective, visiting the Campbeltown
area is a small nightmare.
One has to make a long trek to the Southern tip of the Kintyre peninsula on the Western coast of Scotland to reach Springbank - or the nearby Glen Scotia distillery. Except for the distilleries, there's not much happening in Campbeltown. And even for the people that want to 'get away from it all' for a few days, Springbank is a fairly poor destination. It's one of the few distilleries that isn't surrounded by the lush Scottish countryside - located
in the middle of a busy town.
This attitude came back to haunt the Campbeltown distillers when Western economies were hit by
an international recession after World War I and the prohibition in the USA brought (legal) exports
to the America's to a virtual standstill. One of the first victims was the Glengyle distillery, built circa
1873 by William Mitchell after a fight with his brother John at Springbank. The distillery closed down
again in 1825 - and many other Campbeltown distilleries followed. The economical downturn proved
to have
disastrous consequences
for the 'volume' whisky distilleries in Campbeltown. The owner of
the Glen Scotia distillery became so depressed that he drowned himself in the artificial lake that was
constructed as the distillery's water supply. Some people say his ghost still haunts the buildings...
Name:
Region:
Neighbours:
Founded / status:
Water source:
Stills:
Capacity:
Ownership:
Address:
Visitor centre:
Website:
Springbank (Pronounced: just like that...)
Campbeltown
Glen Scotia, Glengyle (but that's more like a 'depenance')
1828 - active
Crosshill Loch
2 Wash, 2 Spirit
2,000,000 litres of pure alcohol per year
Springbank Distillers Ltd. (since 1989)
85 Longrow, Campbeltown, Argyll, PA28 6EX
No
www.springbankdistillers.com - tasting notes on WhiskyFun

Barnard's Campbeltown was a very different town from today's, though.
During the glory days of the town and the tip of the Kintyre peninsula, more
that thirty distilleries were active in the area.
Campbeltown was also known
as 'The Whisky Capital of the World'. However, most of the distilleries were
focused on quantity rather than quality because they were not able to keep
up with the demand for their malt
whiskies (especially from the US) anyway.
So there was no incentive to try and improve the Campbeltown whiskies...

1) Springbank distillery was built in 1828 by two brothers, Archibald and Hugh Mitchell.
Rumour has it that their father had already been running an illegal distillery at the same location for years. The
Springbank distillery is still owned by the Mitchell family - and so is the (sort of) reconstructed Glengyle distillery.
2) Apart from the 'Springbank' brand the distillery produces two other 'deluxe' brands, Hazelburn and Longrow.
3) Frank McHardy has been working at the distillery for many years; Helen Arthur's guide from the 1990's already lists him as distillery manager and he was still involved with Springbank when it (temporarily) closed down in 2008.
4) More trivia about Springbank distillery to follow...

Longrow 7yo 2000/2008 (55.8%, OB, Gaja Barolo finish, 12120 Bts.)
Nose: Complex. Some subtle peat. Faint meaty notes? Much more power than other Longrows, I'd say.
Taste: Solid with a fair dose of peat. Excellent mouth feel and probably the peatiest Longrow I've tried so far.
Score: 84 points - It has been a while since Springbank really impressed me, but with this one they did.
Keep in mind that this whisky is just 7 years old - a good five years younger than many competitors...
Springbank 35yo 1971/2007 (59%, The Whisky Fair, Sherry cask, 239 Bts.)
Nose: Light and a little floral. Then fruity complexities and organics emerge. Whiff of citrus?
Great development over time. Needs water though - and lots of the aforementioned time.
Taste: Smooth start, growing big and fruity. Passion fruit? Tannins start very early on. Sweetness and wood.
Score: 90 points
- quite lovely; I nominated it for a gold medal in the Malt Maniacs Awards 2007.
Springbank 36yo 1970/2006 (53,1%, Signatory, Sherry C#1629, 461 Bts.)
Nose: Leather, very old bookstore. Pipe tobacco. A lovely profile in the nose - right up my alley...
Taste: A smooth start on the palate before an attack of wood and old fruits. Touch of smoke?
Powerful tannins in the finish. Just a tad too woody for the 90's for me.
Score: 88 points
- but I can see why people would go into the 90's with this Springbank...
Springbank 15yo 1989/2005 (60.5%, SMWS 27.57)
Nose: Light and lemony. Chalky. Quite sweet. The faintest hint of smoke in the background?
The nose seemed a tad friendlier during a second try. Sweet with something fairnly coastal. Quite harsh.
Taste: Phew... Very herbal. Eucalyptus? Dry and quite gritty towards the finish. Was this finished?
Score: 75 points
- it has power but little depth or individuality. Rough and a tad weak on the palate.
Springbank 12yo 1991/2004 Bourbonwood (58.5%, OB, D. 12/'91 Btl. 02/'04, 5986 Bts.)
Nose: Big and fruity; if it hadn't been for the colour I could have mistaken it for a sherry cask. Some diesel?
Quite interesting - although that might have been caused by the dissolved poison in the Nalgene bottles ;-)
Taste: Hot attack, but that's to be expected at this ABV. As soon as you swallow a long tannic burn begins.
Nice and chewy, but it loses quite a few points in the bitter finish. And the shadow lasts for a long time.
Score:
81 points - although my initial impression in the nose was a few points more favourable...
Springbank 15yo (46%, OB, bottled 2002)
Nose: Candy sour-sweetness. Slightly perfumy. Not as powerful (or sherried) as the old 12yo at first.
Opens up after 5 minutes. Something in the fruity corner I can't describe in the foreground. Organic. Nuts.
It grows fruitier and fruitier over time. A little dusty. Faint coastal notes. Drops off again after 10 minutes.
Taste: Very similar to the 12yo - more so than the nose. Cookies. Wood. Dry. Cool burn. Minty fresh.
Deep sherry. In fact, this is a little too sherried and not quite sweet enough for my tastes.
Score: 80 points
- not quite as balanced as the 12yo from circa 1996, it seems.
Springbank 10yo (46%, OB, 00/164, bottled 2000)
Nose: The start is spirity and a little oily. Some citrus - more light fruits later on.
A barely detectable hint of bonfire smoke, growing stronger. Really opens up with some breathing.
A splash of water kills it, though. I have to admit that this keeps it out of the 80's as far as I'm concerned.
Taste: Smooth, creamy start. Sweet and malty. Good burn. A little gritty in the finish. A good standard malt.
Nothing more though. Diluted to about 40% it seems much more winey in the finish, leaving a sour aftertaste.
Score: 79 points - it scored 80 points at an earlier tasting but I just can't justify that position.
Springbank 21yo (46%, OB, 00/199, bottled +/- 2000 - or late 1990's)
Nose: Ah, that's interesting. Like a blend of the 12 and 15, only better. Powerful.
Sherry and wood again, with an intriguing interplay of spicy and organic notes in the background.
Complex and very well balanced. Fruity episodes. Lemon drops. Oak. Lots of development.
After fifteen minutes it grows some balls and shows some coastal teeth.
Taste: Fruit sweets. Raisin bread. Wood. Salt liquorice? Very nice, but not quite as spectacular as the nose.
Score: 90 points
- in this case a year of breaking in has definitely helped the bottle, rising from +/- 87 points.
A smashing malt. Really excellent stuff; great for just sippin' away but it bears close examination as well.
Springbank 12yo 100 Proof (50%, OB, Bottled +/- 1995, 'Double Dark', USA)
Nose: Loads of heavy fruits and other sherried notes. Raisins and old wood. Furnuture polish. Ant acid.
The bouquet keeps developing as well. Not a very broad spectrum, but incredibly complex. For sherry freaks.
After circa fifteen minutes some organics joined the party and I was ready to go for a score around 95 points.
Taste: Heavy wood, but still smooth. Lovely transformed fruits. Tannins too. Many cognac qualities.
But as great as it was, it pulled down the overall score by a few points because of the fairly harsh wood.
Score:
93 points - now I finally understand why this bottling is legendary in the USA...
Springbank NAS 'House & Tree Label' (46%, OB, Bottled mid 1990's)
Nose: Some antiquity. Organics. Smoke. Meaty. I'm not a real Springbak fan but this is lovely.
Taste: Sherried. mallow. Sweet. Fruity, then salty. What a great mouth feel! As good as the 21yo.
Score: 90 points - now here's a Springbank I would like to have in my reserve stock...
These were not all the (official and independent) expressions of Springbank whisky I've tried over the years.
My Track Record used to contain a complete overview of all the single malts I've tried, but when I passed the 2000
malts mark (and the complete whisky list wouldn't fit on two separate HTML pages anymore) I gave up. My Liquid Log
still contains my tasting notes on most single malts I've sampled and scored, though. You can find a specific expression through the search box at the top of each distillery profile. The mAlmanac now contains (purely personal) selections of some of the best single malts and the worst whiskies I've tried so far - as well as the ones with the
highest 'Bang-For-Your-Buck' value. But those tasting notes and scores only reflect my own, purely personal opinions.
On Serge's distillery profile on Whiskyfun you can find another perspective on the whisky made at this distillery.
Check out the Malt Maniacs Monitor on Malt Maniacs for my scores on all expressions I've tried so far - and those of
almost all the other certified malt maniacs as well. The Malt Maniacs Matrix contains a few thousand single malts that
were sampled and scored by at least four different malt maniacs, so you can compare our individual opinions.

Unlike its previous owner, the Glen Scotia distillery has managed to survive
to this day. For many years it was the only remaining Campbeltown distillery, apart from their neighbours at Springbank of course. In fact, for a few years
the relations between Springbank and
Glen Scotia were extra neighbourly
because a crew from Springbank came over to the Glen Scotia distillery every
now and then to produce a little whisky (to keep the equipment in shape).
I've had the pleasure of sampling some fabulous older Springbanks, but by the time I had
grown really mad about single malts, most of the "better" expressions were already priced
well
outside my financial comfort zone. So, Springbank never grew into a real favourite
of mine, although the 21yo that was available at the end of the 1990's (pictured above)
was fantastic. Better yet, it was relatively modestly priced at less than 100 guilders.
Even at that time, most Springbanks were released as expensive 'ultra premium' bottles.
As a result, a lot of them were exported to the USA - the country where massclusivity
was
invented and where many customers are sensitive to status. Or rather: the perception of
status - which in turn is often linked to the price that has to be paid
for certain products.
America is not unique in that respect though - these misconceptions exist elsewhere too.

2000 - The 10yo official bottling
that hadn't been available for a number of years is re-launched. This was roughly around the same time Signatory dropped of my shopping list; the price difference with the old 21yo was minimal.
In the same year the first official bottling or Longrow with an age statement is released; the Longrow 10yo.
2005 - The first official bottling of Hazelburn is released with an age statement of eight years.
2008 - Early in the Summer some shocking news starts to leak out about the imminent mothballing
of the Springbank distillery - at least for part of the year. Part of the staff is laid off because Springbank would produce significantly less whisky than usual in 2009. From what I understand, the Glengyle distillery will be closed as well. Apparently, the owners felt that they had sufficient whisky stocks for now. That's a little odd, because for many years they claimed that they could keep raising their prices because they didn't have enough stocks to satisfy demand anyway.
2009 - Springbank resumes part-time production again; 3 months of malting followed by 3 months of distillation.
For many years the owners of Springbank claimed they could set such steep prices for their whisky because they didn't
have enough stocks to satisfy demand
anyway. In such a (financially comfortable) climate it is hardly surprising that
they (sort of) reconstructed the old Glengyle distillery a few years ago so they could increase production capacity.
Unfortunately, a few years later the economical winds changed; Springbank & Glengyle were (temporarily) closed.



